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La Fabrica - Festival d'Avignon © Julia Gat i
Second Week of Rehearsals at La FabricA, Festival d'Avignon
Details
30 April 2018
Avignon / France
STORY WATER
Jury Nominee, FEDORA Prizes
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© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
© Julia Gat i
La Fabrica - Festival d'Avignon
Discover other stories
Jury Nominee
Kor'Sia
ARTISTIC RESIDENCE ATWATERMILL CENTRE
24 October 2022
New York City / United States
The whole group started the creation residency, in the wonderful Waterlill Center.
We are all excited and fascinated by the nature around us and the art that reigns here.
[VIDEO] Which words and which opera librettos are best placed to express our contemporary realities, be they socio-economic, political, or environmental? Which stories inspire us and fill us with strong emotion?
Read more
Jury Nominee
Stiftung Staatstheater Augsburg
Media keep covering "Erwartung"
20 October 2022
Augsburg
German media outlet "Bayerischer Rundfunk" visited us the other day to witness our orchestra perform "Erwartung" for the 3D audio recording. They write:
"For the ultra-real listening experience, the 3D sound of the VR game, the Augsburg Philharmonic Orchestra recorded the music at a concert hall in Augsburg. A square iron frame hovers above the orchestra, specially made with a 3D printer and equipped with numerous microphones. The orchestra itself is also teeming with microphones."
All this hard work of the audio department and the orchestra will integrate seamlessly into the VR game at the end. Read the whole article here:
https://www.br-klassik.de/aktuell/news-kritik/oper-wird-digital-schoenbergs-monodram-erwartung-als-vr-spiel-am-staatstheater-augsburg-100.html
